Long long ago,
the famous Marathi writer, mostly satirist Mr Pu La Deshpande had wondered ‘Why
XYZ becomes a station master at the station on odd railway line of Shenoli?’ Well is
there really an answer? All Indians would attribute it to the fete. Is it or
otherwise?
I wondered
many a time, when none from my ancestral tree ventured anywhere near colours,
brushes or any other art material, how come I developed an intense urge to draw
odd lines on the canvas, and made it a reality in spite of being extremely busy
in my profession. In a span of 40 years of practice as an Internist, I must have
seen more than thousands of patients, having enough experience and material to
write at least a few odd papers on many peculiar cases those I came across. But watching
my colleagues literally doling out papers, mostly manipulating the
observations, closely matching with what West has already come out with, and
then just labelling it ‘Indian’ scenario, I felt, I just do not have it!
And then, not
exactly out of blues, it happened. Colours started making rounds of my grey
matter. Of course, it was there since childhood, in the form of getting cent per cent marks in most of the drawing classes, but to take it a concrete shape
20 years had to elapse. I tried my hand at oils when I was undergrad, painted
few, but found it tedious as oils take longer time to dry though mixing and
getting the correct shade is much easier than watercolours, other cheap option.
After a lull
of about 25 years, circumstances practically forced me to take to colours again.
My friend was instrumental in bringing back me in the fold. She presented me
with art material worth in thousands and practically pushed me into it, this
time though it was a different material, Acrylic and I fell in love with it.
The birth of a
painting!
Why a writer
writes? I too, so I can tell. The words take the form of an idea and almost take
control of your brain practically leaving you sleepless in the bed because they
keep on asking ‘What next?’ The words come lined up in sentences making the
flow easier as you keep on delving deeper and deeper. And unless you jot it
down that feeling of restlessness just keeps on lingering.
Painting too
gives similar delivery pains, almost!
You chance to
see a picture, a photograph, memory of passing as if through the dream is
stored deep somewhere in the labyrinths, that suddenly surfaces and makes you
see the picture being formed in your psyche, metaphorically and then really!
This one is
actual photograph of Matheran taken from a distance. The mood of nature,
about to go in fury has been caught on the camera so vividly that I had to
paint it. The clouds posed the most problem. Forget the fury about to unfurl; mine
looked like a cotton candy gone haywire. Layers after layer, shades after
shades I tried, but to no avail. In the end, when about to give up on the painting,
an idea struck me. I had acrylic spray cans. Covering the green part to be
painted I gave two layers of spray, one grey and one light black from a
distance and suddenly the clouds changed their attitude and started looking as
if they are about to pour in a minute!
To bring the
different shades of green on the paper too was another problem. The ‘You Tubes’
videos make it look so simple, but when you get at it, either the brush width
is too broad or it just does not hold enough colour. Again after trials and trying
I came somewhere near what I had envisaged!
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvdUKGRTnC1UNyoG_CJVbMVC2M_m8WLFcE4L1tTqNFqsFJpAvp3nd9vZ0aKUxDtgq0uB_py4N2BVU4ShW-g7MpxAG1Yd-WvySQW7XlYTAyiPARO0Lu6x0Td8zhkN5HIk1975GbGQ_luBI/s400/176.jpg)
After failed mixing with the brushes[ spoiling most of them in
the end], I sprayed again. But over-spraying made the colours to drip like a leaky
ceiling. In a hurry to stop the flow to reach the ‘Forbidden’[covered] area, I
tried to wipe them off with cotton duster and lo, it made a distinct pattern of
threads with free-flowing colours on the canvas that it took me though in
absolute surprise, nonetheless, gave me something that was looking fascinating
on the canvas. When young I was briefly in contact with the famous artist, painter
B Prabha, so naturally, due to her influence, my human figures had to have long arms!
Somehow I could not get the desired result with the brushes, so I mixed them
with the tip of fingers freely. And was happy to have the eerie pattern on the
torso. Rest was finished with sketch pens and I had given birth to a very
distinct painting!